Teledubgnosis (unreleased 1st EP), by Teledubgnosis

Teledubgnosis (unreleased 1st EP)

by Teledubgnosis

supported by

Michael Carter This is essential,if you were into Wordsound Skiz Fernando Era illbient.I previously have heard this group but this is more eclectic and varied,the deep bass gets me everytime.Like I said,an essential purchase!

Ryan Hills Because of weirdness raised to the level of genius. Because it's edginess chills me right out. Because Ted Parsons.

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1.	Repetition 00:23		buy track
2.	Identify Yourself 02:14		buy track
3.	Sonic 09:11	info	buy track
4.	Transmission 1 00:57	info	buy track
5.	Ladies And Gentleman Always 04:05	lyrics	buy track
blah blah blah blah
6.	Transmission 2 01:37	info	buy track
7.	Superdub 85 04:34	info	buy track
8.	Transmission 3 00:35	info	buy track
9.	Crashed 08:24	info	buy track

about

FREE download of this never released lofi gem from 2000! This one could've gone a totally different direction - ask us about it sometime. But we like it as it is - it's the little EP that could but never did. Filled with an amazing cast of guest stars and lots of illegal samples!

Guest vocals and trumpet by Regina Chellew (Captain Audio), Norman Westberg (Swans) and Kurt Wolf (Pussy Galore, Boss Hog) on guitar. David Wm. Sims (Scratch Acid, The Jesus Lizard) on bass. Heather Paauwe (Firewater) on violin. And the very much missed George Javori (Firewater, Joan Baez, Elysian Fields) on percussion.

Recorded in Boston & NYC spring/summer 2000
(un)released November 2000

credits

released November 14, 2000

Jason Wolford: electronics, turntables, keys; Ted Parsons: drums, percussion; Gregory Damien Grinnell: electronics, keys.

Produced by Jason Wolford & Teledubgnosis
Mastered by Mike Fossenkemper at Turtle Tone Mastering, NYC

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about

Wire Recordings Seattle, Washington

Musical styles of our artists range from musique concrète to noisy roots dub and all places in between. We use synthetic means to produce organic textures and vice versa. We love analog sounds, but tear them to shreds with our evil machines.

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